Why Self-Censorship Is “Green”
May 17th, 2008 |
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Shuffling and Boiling
May 15th, 2008| Can’t get enough of hearing me expound about myself and my work even in the wake of those YouTube videos I point you to in my last post?
Well, lucky you! An expanded version of that North Adams Transcript interview I told you about in my August 16 blog entry has just resurfaced in a new online setting. So now you can learn more about me, me, ME!!! |
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| What setting am I talking about? It’s Shuffleboil, a quirky and smart new bloggish site created by John Mitchell, the Arts and Entertainment Editor at the North Adams Transcript (who conducted the interview in question last summer), along with his wife, children’s book illustrator Jana Christy.
The John-and-Jana Shuffleboil Show is a family project not mounted under the auspices of, and hence not limited by the constraints of, John’s more sober professional post at the Transcript. They do have a happy synergy going, though, since John’s arts coverage from the Transcript is apparently getting a second life in Shuffleboil. This is a good thing for artists like me who once got covered in the paper’s pages and, while appreciative of one day’s strut on a local paper’s stage, can’t quite be satisfied unless we’re the recipients of attention that goes on and on and on long after the newsprint bearing our names has been discarded or pulped. Shuffleboil is far more than a recycling center for John’s newspapering endeavors, however. The site provides liberal portions of brand new commentary (which John refers to as his "mutterings and ramblings") about movies, music, books, photography, and every other form of art short of lanyard weaving. Comics and graphic novels get plenty of attention, too, I’m pleased to report. Beckoning from nearby nooks and crannies of the site, meanwhile, are wry off-beat features such as "Tiny People," John’s photographs of plastic figurines whose inner lives are revealed in accompanying captions, and Jana’s evocative drawings that capture fleeting moments of "My Year Writing This Book About My Year Writing This Book." |
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The fact that John’s interests include the comics medium should come as no surprise, by the way, since in an earlier incarnation (that being during the 1990s) he and Jana were creators of an indy comic series called Very Vicky, diverting installments of which are handily archived online.
At left: a Very Vicky panel |
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Psst!
May 15th, 2008|
As subscribers to my Cruse Art Newsletter already know, the eighth issue in the series, which includes the painting below, became available earlier today.
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| Now back to the blog! | ||||
That’s Me All Over
May 5th, 2008 |
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Some pictures I’ve drawn have been surfacing lately for all the world to see, namely…
(1) The just-published May issue of The Commonwealth (a printed manifestation of the multi-faceted, public-affairs-forums-fostering, non-profit Commonwealth Club of California, has arrived sporting the cover art I told you I was working on several weeks ago while juggling home renovations and a death in the family. And there’s an online version of the complete magazine that midwesterners, southerners, and easterners can access should time pressures prevent them from hopping a jet to California to chase down a copy of their own to read. (2) My cover art for the December 21, 2006 issue of Birmingham Weekly (one of several covers serializing J’Mel Davidson’s "Destroy All Santas") was picked up for inclusion in Comic Art Now, an attractive hardcover book by Dez Skinn (with Tim Pilcher on board as Commissioning Editor) that showcases a dazzling international array of comic book artists. And following fast on the heels of the British edition issued today by iLex Press will be an American edition of the same volume coming later this month from HarperCollins. |
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Meanwhile, the flesh-and-blood version of me (as opposed to my published cartoon manifestations) had a good time yesterday at the Norman Rockwell Museum’s Comic Art Festival that I blogged at you about several days ago.
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My slideshow was appreciatively received by a friendly audience, I’m happy to say, and I enjoyed the chance to see several of my comics-creating colleagues again — in some cases for the first time in many years.
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Ready To Party!
April 30th, 2008| OK, Martha Thomases, you’ve gotten me in the mood for next Saturday with this installment of Munden’s Bar that you’ve written for ComicMix this week! | |||||
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The only question is: Will the atmosphere at the Norman Rockwell Museum’s May 3 Comic Art Festival this weekend be deliciously raucous, like the sword-brandishing melee depicted in Martha’s strip (see above) as illustrated by Joanna Estep? Or will the scene at NRM by one of high-spirited but manageable collegiality like the opening party so many comics-lovers enjoyed when the museum’s enthusiastically received Lit Graphic: The World of the Graphic Novel exhibit opened last November?
Below: The roving camera of Jeremy Clowe, Communications Assistant at the museum, snaps a moment of opening-reception collegiality featuring ComicMix’s Editor-in-chief Mike Gold, Mark Wheatley, Marc Hempel, me, and exhibit curator Martin Mahoney. |
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I also learned today that several video clips of me, taped by Jeremy last fall at the Lit Graphic press reception as I fielded reporters’ questions about Stuck Rubber Baby, have recently been posted on YouTube as part of the Rockwell Museum’s publicity push for this Saturday’s festival. (Click here or on the image at right to see me in all of my glorious loquacity.
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Yes, now you folks who have never met me can at last get an answer to that question that’s been nagging at you for years: Just how much of a southern drawl does Howard Cruse have?
Anyway, the museum has sent me their anticipated lineup of activities for next Saturday, so I’ll pass them on here for the benefit of any of you who are likely to be in or near Stockbridge on the 3rd thinking, "Gee, a comic arts festival would really hit the spot right around now." Comic Arts Festival An exciting day of workshops, lectures, book signings, and conversation with noted comic artists and historians in celebration of LitGraphic: The World of the Graphic Novel. Got mini-comics to swap? Here’s a good place to exchange ‘em. Refreshments will be served, and lunches will be available for purchase. 10:00AM Welcome to the Norman Rockwell Museum 10:30AM Graphic Novels: An Illustrated History 11:30AM Drawing in the Galleries 11:30AM-4:00PM Wet Ink! 12:00PM Wordless Books: The Original Graphic Novels 1:00PM Creating Comics: 2:00PM Howard Cruse’s Comics Vault 3:00PM Collecting Comics 4:00PM Book Signing 4:30PM-5:30PM Carousel and Wet Ink Reception Plus the All-Day Mini Comic Exchange Festival admission is free with regular Museum admission. Children 18 and under are free. Please be advised that graphic novels sometimes address adult subject matter. Parental discretion is advised. For more information call 413-298-4100 ext 260 |
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Beaten Out by Miss Peach
April 25th, 2008| …and appropriately so. Mell Lazarus’s genius was waiting to shine; the Alabama kid needed seasoning.
But what a thrill it was for a twenty-year-old to have a newspaper syndicate interested enough just to ask for a second set of samples. |
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Tunes and ‘Toons at Penn State
April 24th, 2008 |
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Above: Me holding forth this Monday in Penn State’s Foster Auditorium.
I was briefly a grad student at Penn State University forty years ago. My stay at PSU in the fall of 1968 was funded by a Shubert Playwriting Fellowship, and a couple of my short plays (one of which can be found on this very web site) even made it onstage as part of the theatre department’s Five O’clock Theatre student workshop series. Personal issues quickly derailed my attempt to be a Very Good Fellow that fall, unfortunately, and I fled to New York over the Christmas holidays before making much of a dent in my Shubert money. Despite the inauspiciousness of my grad school career, though, I had a mostly good time at Penn State during my brief stay, the odd depression and panic attack aside. I forged several enduring friendships, helped paint the set for a main stage production of O’Neill’s Ah Wilderness, and even made good grades somehow in the courses I took. So despite the fact that so much time has passed since then that not a single inch of the campus I encountered looked remotely familiar, I nevertheless felt a definite twinge of nostalgia when I returned to PSU last weekend at the invitation of Eileen Akin, coordinator of PSU Special Collections Library’s Audio-Visual Collections and Fred Waring archives, who asked me to give a talk as part of the Graphic Novel Speakers Series she spearheads. Below: Eileen and I commune with cartooning greats in the Waring collection’s Cartoon Room |
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Music fans whose tastes include works that pre-date Buddy Holly will hear the name Fred Waring and think of the smooth orchestral and choral sounds that emanated from America’s radios, televisions, phonographs, and concert stages thanks to Waring’s legendary conducting skills and the voices of his touring choral colleagues, the Pennsylvanians. What I had forgotten about until I walked into Eileen’s office was Waring’s similarly legendary devotion to the cartoon art form and its practitioners.
An honorary member of the National Cartoonists Society and the host of annual NCS golfing retreats at his Shawnee-on-the-Delaware home base, Waring was the regular recipient of thank-you art from his legion of grateful ‘tooner friends. Hence the "Cartoon Room" at Penn State, because of which the PSU library’s Waring archive is as notable for its walls full of framed cartoon originals that almost nobody has ever seen as for its long shelves of Waring choral arrangements and displays of fascinating memorabilia from the decades during which Fred Waring and his Pennsylvanians graced music-lovers with their unforgettable performances and broadcasts. Below: Just one of the reasons why Eileen Akin’s lair at PSU is a feast for any cartoon-lover’s eyes. |
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On The Campaign Trail
April 10th, 2008| Eddie left yesterday to spend two weeks as a volunteer in Barack Obama’s field operation in Hazleton, Pennsylvania. This gives me a perfect opportunity to show off two cool portraits of Obama created this year by two friends of mine.
The painting directly below is by Zina Saunders, who has a whole array of her similarly deft portraits currently displayed on her web site…. |
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Art above ©2008 by Zina Saunders
…and the line drawing at right is by North Adams artist Sarah McNair, whose many accomplishments include contributing to the North County Perp. Art at right ©2008 by Sarah McNair |
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Eddie and I are hoping that none of the ardent Clinton-supporters among our friends will get bent out of shape by our choice of candidates. Actually, we had a natural affinity for Dennis Kucinich, favored John Edwards in the Massachusetts primary, and wish both Hillary and Barack would pay more attention to some of the ideas at the core of their discontinued campaigns. But Edwards and Kucinich have withdrawn now and life goes on. Since one has to make choices in a democracy, we personally give Obama the edge right now when choosing between two contenders who each comes with drawbacks and strengths.
You can bet that we’ll be carrying the Hillary banner proudly in the general election, though, if she ends up copping the nomination. She’s not short on confidence-inspiring qualities (particularly when she lets her better angels carry the day). And we urge present-day Hillary folks to similarly work their butts off to elect Barack if his campaign for the nomination carries the day. Let’s don’t let the White House remain in the hands of the party that’s spent eight long years inflicting more damage on the U.S. than would have seemed humanly possible — even given the track records left by Reagan and Bush the dad. Between Clinton and Obama, we think Omama offers more than his opponent does of what America needs in a leader today. So Eddie has packed his bags and headed to the Pennsylvania hills to act on his beliefs. He does that kind of thing. It’s one of the attributes that made me fall for him 29 years ago. |
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Our Furniture: Home Again at Last
April 8th, 2008 |
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| Above: Lulu bestows ardent face licks on ace contractor Roger "Butch" Molloy, one of the new best friends who’ve spent the last couple of months disassembling, then reassembling in different locations, the rooms of our humble abode. That’s plumber Mike Toniatti sitting and awaiting his turn on our sofa, which was returned to us from warehouse exile this weekend.
The renovation of the rest of our house almost finished now, with Evelyn’s room having been completed well ahead of the others so that she could return from Williamstown Commons to a bedroom built just for her. We wish she could have enjoyed the room longer, but Eddie’s mom clearly loved occupying her bright new private quarters during the final few weeks of her life. She didn’t even complain about all the hammering and sawing that continued to go on just outside her bedroom door. (There’s something to be said for forswearing the use of hearing aids at critical points of one’s post-hospital recuperation.) My attention now has largely turned, now that I’m finished cover art that I’ve been sweating out through thick and thin for the May issue of Commonwealth Club magazine (the member publication of the venerable public forum organization, Commonwealth Club of California), to finishing up the two talks I’m scheduled to give unnervingly soon—the first being at Penn State University (April 22) and the second being at the Norman Rockwell Museum in Stockbridge (May 3), in whose Lit Graphic show some artwork from Stuck Rubber Baby (along with artwork by a lot of other graphic novelists) is still hanging. (See my earlier blog entry about that.) If you’re going to be in either neighborhood on those days, do drop by. It’s so much more fun giving talks when someone’s in the audience! |
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Assessing the Your Hit Parade Cast
April 2nd, 2008|
Odd Things You Come Across During Home Renovation
Nobody under, I dunno, 40 will know what this sketchbook drawing from 1982 is talking about. Sorry about that, kids. I’ll cater to the Youth Vote another time. |
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Two quick notes to my blog readers
1. Sincere thanks from Eddie and me for the condolence notes left in the blog’s comments section last week, as well as for similar messages that have reached us by other routes. 2. I’ve lost so much time due to Evelyn’s death (and pressing work that got sidetracked because of her passing) that I may not be able to compose blog entries of any substance for a week or two. To avoid leaving a dreaded BlogVoid during this period, I’ll probably throw up raw, obscure artwork from my past for your amusement occasionally—like the sketchbook drawing above. ‘Bye for now. |
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Don't forget the shopping fun that's waiting for you at Cruse Goodies! |
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| I now release you to enjoy the rest of my site. | |||
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