Archive for April, 2008

Ready To Party!

Wednesday, April 30th, 2008
OK, Martha Thomases, you’ve gotten me in the mood for next Saturday with this installment of Munden’s Bar that you’ve written for ComicMix this week!
The only question is: Will the atmosphere at the Norman Rockwell Museum’s May 3 Comic Art Festival this weekend be deliciously raucous, like the sword-brandishing melee depicted in Martha’s strip (see above) as illustrated by Joanna Estep? Or will the scene at NRM by one of high-spirited but manageable collegiality like the opening party so many comics-lovers enjoyed when the museum’s enthusiastically received Lit Graphic: The World of the Graphic Novel exhibit opened last November?

Below: The roving camera of Jeremy Clowe, Communications Assistant at the museum, snaps a moment of opening-reception collegiality featuring ComicMix’s Editor-in-chief Mike Gold, Mark Wheatley, Marc Hempel, me, and exhibit curator Martin Mahoney.

I also learned today that several video clips of me, taped by Jeremy last fall at the Lit Graphic press reception as I fielded reporters’ questions about Stuck Rubber Baby, have recently been posted on YouTube as part of the Rockwell Museum’s publicity push for this Saturday’s festival. (Click here or on the image at right to see me in all of my glorious loquacity.
Yes, now you folks who have never met me can at last get an answer to that question that’s been nagging at you for years: Just how much of a southern drawl does Howard Cruse have?

Anyway, the museum has sent me their anticipated lineup of activities for next Saturday, so I’ll pass them on here for the benefit of any of you who are likely to be in or near Stockbridge on the 3rd thinking, "Gee, a comic arts festival would really hit the spot right around now."

Comic Arts Festival
at the Norman Rockwell Museum
Saturday, May 3 from 10 a.m. to 5 p.m.

An exciting day of workshops, lectures, book signings, and conversation with noted comic artists and historians in celebration of LitGraphic: The World of the Graphic Novel. Got mini-comics to swap? Here’s a good place to exchange ‘em.

Refreshments will be served, and lunches will be available for purchase.

10:00AM Welcome to the Norman Rockwell Museum
Curator of Education, Tom Daly, and LitGraphic Curator, Martin Mahoney

 10:30AM Graphic Novels: An Illustrated History
A lively visual history by Robin Brenner, librarian and Eisner Award Juror

 11:30AM Drawing in the Galleries
An On-Site Demonstration with graphic novelist, Lauren Weinstein, whose original illustrations for Girl Stories are on view.

 11:30AM-4:00PM Wet Ink!
Create and Post Your Own Comic Art:
A drop in, hands-on workshop with Jack Purcell, comic book artist and educator

12:00PM Wordless Books: The Original Graphic Novels
Author and library director David Berona will offer an illustrated look at his new book

1:00PM Creating Comics:
A Conversation with Marc Hempel and Mark Wheatley
The two comic creators, whose art for Breathtaker is on view, will discuss their work with comic art collector and historian Warren Bernard.

2:00PM Howard Cruse’s Comics Vault
Artist Howard Cruse will offer personal commentary on his comic art, which currently is on view            

3:00PM Collecting Comics
Personal viewpoints on collecting by Scott Eder, founder of the Scott Eder Gallery and Comic Book Art Dot Com

4:00PM Book Signing
with David Berona, Robin Brenner, Howard Cruse, Marc Hempel, R. Sikoryak, Mark Wheatley, and Lauren Weinstein

4:30PM-5:30PM Carousel and Wet Ink Reception
A series of comic slide shows by artists, with illustrator and cartoonist, R. Sikoryak, and graphic novelist Lauren Weinstein. Join us for refreshments!

Plus the All-Day Mini Comic Exchange
Share your art with fellow artists and comics aficionados. Tables will be available for your use.

Festival admission is free with regular Museum admission. Children 18 and under are free. Please be advised that graphic novels sometimes address adult subject matter. Parental discretion is advised.

For more information call 413-298-4100 ext 260

Beaten Out by Miss Peach

Friday, April 25th, 2008
…and appropriately so. Mell Lazarus’s genius was waiting to shine; the Alabama kid needed seasoning.

But what a thrill it was for a twenty-year-old to have a newspaper syndicate interested enough just to ask for a second set of samples.

Tunes and ‘Toons at Penn State

Thursday, April 24th, 2008
Above: Me holding forth this Monday in Penn State’s Foster Auditorium.

I was briefly a grad student at Penn State University forty years ago. My stay at PSU in the fall of 1968 was funded by a Shubert Playwriting Fellowship, and a couple of my short plays (one of which can be found on this very web site) even made it onstage as part of the theatre department’s Five O’clock Theatre student workshop series.

Personal issues quickly derailed my attempt to be a Very Good Fellow that fall, unfortunately, and I fled to New York over the Christmas holidays before making much of a dent in my Shubert money.

Despite the inauspiciousness of my grad school career, though, I had a mostly good time at Penn State during my brief stay, the odd depression and panic attack aside. I forged several enduring friendships, helped paint the set for a main stage production of O’Neill’s Ah Wilderness, and even made good grades somehow in the courses I took.

So despite the fact that so much time has passed since then that not a single inch of the campus I encountered looked remotely familiar, I nevertheless felt a definite twinge of nostalgia when I returned to PSU last weekend at the invitation of Eileen Akin, coordinator of PSU Special Collections Library’s Audio-Visual Collections and Fred Waring archives, who asked me to give a talk as part of the Graphic Novel Speakers Series she spearheads.

Below: Eileen and I commune with cartooning greats in the Waring collection’s Cartoon Room

Music fans whose tastes include works that pre-date Buddy Holly will hear the name Fred Waring and think of the smooth orchestral and choral sounds that emanated from America’s radios, televisions, phonographs, and concert stages thanks to Waring’s legendary conducting skills and the voices of his touring choral colleagues, the Pennsylvanians. What I had forgotten about until I walked into Eileen’s office was Waring’s similarly legendary devotion to the cartoon art form and its practitioners.

An honorary member of the National Cartoonists Society and the host of annual NCS golfing retreats at his Shawnee-on-the-Delaware home base, Waring was the regular recipient of thank-you art from his legion of grateful ‘tooner friends.

Hence the "Cartoon Room" at Penn State, because of which the PSU library’s Waring archive is as notable for its walls full of framed cartoon originals that almost nobody has ever seen as for its long shelves of Waring choral arrangements and displays of fascinating memorabilia from the decades during which Fred Waring and his Pennsylvanians graced music-lovers with their unforgettable performances and broadcasts.

Below: Just one of the reasons why Eileen Akin’s lair at PSU is a feast for any cartoon-lover’s eyes.

On The Campaign Trail

Thursday, April 10th, 2008
Eddie left yesterday to spend two weeks as a volunteer in Barack Obama’s field operation in Hazleton, Pennsylvania. This gives me a perfect opportunity to show off two cool portraits of Obama created this year by two friends of mine.

The painting directly below is by Zina Saunders, who has a whole array of her similarly deft portraits currently displayed on her web site….

Art above ©2008 by Zina Saunders

…and the line drawing at right is by North Adams artist Sarah McNair, whose many accomplishments include contributing to the North County Perp.

Art at right ©2008 by Sarah McNair

Eddie and I are hoping that none of the ardent Clinton-supporters among our friends will get bent out of shape by our choice of candidates. Actually, we had a natural affinity for Dennis Kucinich, favored John Edwards in the Massachusetts primary, and wish both Hillary and Barack would pay more attention to some of the ideas at the core of their discontinued campaigns. But Edwards and Kucinich have withdrawn now and life goes on. Since one has to make choices in a democracy, we personally give Obama the edge right now when choosing between two contenders who each comes with drawbacks and strengths.

You can bet that we’ll be carrying the Hillary banner proudly in the general election, though, if she ends up copping the nomination. She’s not short on confidence-inspiring qualities (particularly when she lets her better angels carry the day). And we urge present-day Hillary folks to similarly work their butts off to elect Barack if his campaign for the nomination carries the day. Let’s don’t let the White House remain in the hands of the party that’s spent eight long years inflicting more damage on the U.S. than would have seemed humanly possible — even given the track records left by Reagan and Bush the dad.

Between Clinton and Obama, we think Omama offers more than his opponent does of what America needs in a leader today. So Eddie has packed his bags and headed to the Pennsylvania hills to act on his beliefs.

He does that kind of thing. It’s one of the attributes that made me fall for him 29 years ago.

Our Furniture: Home Again at Last

Tuesday, April 8th, 2008
Above: Lulu bestows ardent face licks on ace contractor Roger "Butch" Molloy, one of the new best friends who’ve spent the last couple of months disassembling, then reassembling in different locations, the rooms of our humble abode. That’s plumber Mike Toniatti sitting and awaiting his turn on our sofa, which was returned to us from warehouse exile this weekend.

The renovation of the rest of our house almost finished now, with Evelyn’s room having been completed well ahead of the others so that she could return from Williamstown Commons to a bedroom built just for her.

We wish she could have enjoyed the room longer, but Eddie’s mom clearly loved occupying her bright new private quarters during the final few weeks of her life. She didn’t even complain about all the hammering and sawing that continued to go on just outside her bedroom door. (There’s something to be said for forswearing the use of hearing aids at critical points of one’s post-hospital recuperation.)

My attention now has largely turned, now that I’m finished cover art that I’ve been sweating out through thick and thin for the May issue of Commonwealth Club magazine (the member publication of the venerable public forum organization, Commonwealth Club of California), to finishing up the two talks I’m scheduled to give unnervingly soon—the first being at Penn State University (April 22) and the second being at the Norman Rockwell Museum in Stockbridge (May 3), in whose Lit Graphic show some artwork from Stuck Rubber Baby (along with artwork by a lot of other graphic novelists) is still hanging. (See my earlier blog entry about that.)

If you’re going to be in either neighborhood on those days, do drop by. It’s so much more fun giving talks when someone’s in the audience!

Assessing the Your Hit Parade Cast

Wednesday, April 2nd, 2008
Odd Things You Come Across During Home Renovation

Nobody under, I dunno, 40 will know what this sketchbook drawing from 1982 is talking about.

Sorry about that, kids. I’ll cater to the Youth Vote another time.

Two quick notes to my blog readers

1. Sincere thanks from Eddie and me for the condolence notes left in the blog’s comments section last week, as well as for similar messages that have reached us by other routes.

2. I’ve lost so much time due to Evelyn’s death (and pressing work that got sidetracked because of her passing) that I may not be able to compose blog entries of any substance for a week or two. To avoid leaving a dreaded BlogVoid during this period, I’ll probably throw up raw, obscure artwork from my past for your amusement occasionally—like the sketchbook drawing above.

‘Bye for now.