Archive for the ‘Soapbox Break’ Category

Memory Lane

Tuesday, January 29th, 2008
"[The "Children of the Rainbow" curriculum] would have teachers telling their first graders that gay/lesbian couples are ‘family’ just like any other family unit. We will not accept two people of the same sex engaged in deviant sex prectices as ‘family’."
Mary A. Cummins
President
Community School Board 24
New York City
August 28, 1992
Sixteen years ago gay New Yorkers were treated to a months-long circus of public homophobia whose ringmaster, firebrand Mary Cummins of Community School Board 24 in Queens, went to the barricades to stop a proposed new school curriculum from letting schoolchildren know that gay people existed, and indeed were the parents of some of their schoolmates.

The fact that the curriculum was simply conveying demonstrable facts about the demonstrably diverse makeup of New York’s community life carried no weight with this determined lady, who ultimately succeeded in have the curriculum in question quashed.

Last week I came across my sketched version of "The Educator,"my comic strip response to this controversy. It never found a home and hence was never re-drawn in finished form, but I still kind of like it.

Postscript for young readers puzzled by the concluding panel above:

First graders used to learn to read by reading books starring two bland suburban kids named Dick and Jane.

There were presumably no homosexuals living on Dick and Jane’s block, although Dr. Seuss’s Cat in the Hat could occasionally be spotted lurking near their playground, awaiting his moment.

Grading The Ungradable

Saturday, December 15th, 2007
Above: Harmonic Convergence,
one of this month’s newsletter offerings

Wow! Wotta month! Only three blog entries have gotten posted since issue #3 of my Cruse Art Newsletter came out, and now here I am this morning telling my subscribers about #4.

There’s been all of the Lit Graphic activity I’ve described recently plus drawing my long-delayed contribution to the next Boy Trouble anthology plus three very welcome commercial illustration assignments plus planning for my classes at MCLA. And to cap it off, having dug out from one snowstorm two days ago and thereby having the final exam process for my cartooning course at the college thrown into disarray by abruptly cancelled classes, I’m looking forward to an even bigger snowfall that’s predicted for tomorrow. Whee!

And you know what happens to professors who give exams? They’ve gotta grade those exams! Even if they’re trying to maintain their secret identities as professional cartoonists whose teaching is a sideline and who have personal work they’d really really like to get down to. Or blogs they’d like to post entries to more than three times a month.

Grading takes time, and it has to happen fast, too, or the college Registrar’s Office will get nervous — as will the professor’s students, who after all are understandably eager to learn how their overall grade point average (and hence their ENTIRE FUTURE) is gonna be impacted by a professor’s arguably capricious application of rigid alphabetics to what is inherently a non-hierarchical process: one individual’s expression of creativity.

I fret over this because I’ve both been a student and I’ve spent many years struggling through the aftermath of studenthood. In other words, I’ve got at least a little perspective on these matters. Based on my own experience as well as any number of artists’ biographies, I’m painfully aware that whatever letter grade I give to a student will affect that student’s relationship with his or her parents (or whoever elser is footing the bill for the student’s college tuition) without much affecting the course of that student’s post-collegiate life, should that student actually see the creation or art as his or her long-term calling. A letter grade certainly won’t be predictive of anyone’s future "success" as an artist, since the word "success" has no true meaning in the context of a culture that largely thinks of creating art as a frivolous activity unless somebody is making bunches of money as a result.

But grade I must. It’s in my contract.

Still, I fret. It’s no big deal; I’m a born fretter. And I do enjoy being around young people who think there’s value in engaging in temporary collaboration with me. I like to see hope happening. I enjoy watching people discover that work can be fulfilling rather than a mere imposition on their time.

But there’s something inherently fraudulent going on when you tell art students that they’re doing "A work" or "C work." Sometimes the insights you may derive from an art class don’t hit you until long after you’ve tossed your commencement cap into the air and letter grades have become silly artifacts of youth.

Serious artists seek mastery of processes whose values are entirely subjective. They probe for insights about their personal strengths and weaknesses in a realm where the line between bad execution and interesting idiosyncrasy will in the end lie in the eye of the beholder. Wondering how they compare to some others who by chance happened once to be competing with them for grades in a classroom will have long been supplanted by concern over whether that one detail in a work of art that’s been plaguing them for an hour can somehow be re-shaped so as to strengthen the whole.

Myself, I loved being in college. It expanded my horizons and changed the course of my life. From being around some great artists who were also teahers and mentors, I learned how bracing making art can be if we put the quest for fame aside and set about wrestling with the dark angels that stand between the human race and enlightenment.

I did reasonably well as an undergrad, I think, but I remember very few letter grades that I was given. Memories of breakthroughs during play rehearsals, though, are indelible.

To be alive, I guess, is to make peace with fraudulent activity to some degree — or at least with the possibility of it. Here we are, after all, stuck in the middle of a human race that’s ridiculously imperfect. Can we look with cold eyes at our own failings, or do we struggle to believe that we’re a little better than we really are so we don’t lose hope?

Can we ever be sure that whatever grade we subconsciously give to ourselves about our own "success" at trudging through adulthood has any basis in reality?

Let’s face it: most of us fudge our marks here and there so we can sleep with ourselves at night.

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Keeping Readers Safe From Toland Polk

Thursday, July 5th, 2007
Been wishing you had a handy list of every dirty word and naughty drawing in Stuck Rubber Baby? Are you frustrated that there aren’t enough minutes in the day to compile such a list yourself?

Well, I’m happy to report that the heavy lifting has already been done by the industrious worker bees of the Library Patrons of Texas Inc., a non-profit agency dedicated to keeping their fellow citizens apprised of what’s on the library shelves of Montgomery County, Texas.

The results of the LPT’s research on my book can be found online here.

My pal John Gillick clued me in yesterday to the aforementioned list of dubious passages to be found in my graphic novel. Not that the LPT is itself condemning anything I’ve done. In the fair and balanced spirit made famous by the Fox News Network, the FPT’s attitude is: We Report. You Decide.
Naturally I love knowing that folks in Texas are giving my work such a close read, but I do have one complaint about the LPT’s mode of presentation. Those little black boxes they use on their web site to obscure examples of my novel’s dirtiness aren’t attractive in the least. Give me interesting polygons, please. Or maybe decorative pasties with tassels.

Alright, that might be going overboard. I myself opted for an understated fig leaf in my own rendition of the very same panel, seen below as it appears in a special revised edition of SRB that I’ve whipped up expressly for residents of Montgomery County.

Why a special edition of a book that’s been published in five countries and won literary awards in four of them? Because I love my readers and never want any of them to feel uncomfortable. Hence the many days and nights I’ve spent chipping away at any parts of my brainchild that might cause distress to the LPT’s constituency.
That’s not a plea for gratitude. I’m delighted to go the extra mile in an effort to avoid running roughshod over the delicate sensibilies that Texans are famous for.

Below: A second excerpt from Stuck Rubber Baby: The Montgomery County Edition, available soon at Christian bookstores everywhere.

And don’t lump the LPT in with the narrow-minded book-burners of the world. According to its mission statement, the LPT emphasizes with dramatic capitalization that it DOES NOT advocate censorship "as traditionally defined." What the LPT does advocate is "local control of taxpayer-funded libraries and responsible age-appropriate selection, classification and access policies sensitive to local community standards and values." Who could argue with that?

I’m sure that local gay people, sexually comfortable heterosexuals, and fans of literature that questions the received wisdom of majority culture were among those polled by the LPT to determine exactly what the community standards and values being applied might be.

And the powerful Fig-Leaf Lobby must surely have been consulted as well.

Fun With Language

Tuesday, April 24th, 2007
An earlier push to change the way the Bush administration describes its strategy against terrorism was notably unsuccessful. In 2005, the Pentagon argued that the phrase “war on terror” should be replaced by “global struggle against violent extremism.” The shift was advocated by Donald H. Rumsfeld, who was the defense secretary at the time, but it was overruled by Mr. Bush….

—New York Times, April 24, 2008
Michael R. Gordon reporting

Quick thinking, George. Struggletime Presidents don’t get to shred the Constitution, ignore the balance of powers, and make hash of civil liberties the way that Wartime Presidents do.

9/11 Onward

Monday, September 11th, 2006
It’s been as frustrating as hell to have been sidetracked by an ungodly schedule from posting more frequently to this blog lately when so much has happened to make my blood boil.

Now here we are on the fifth anniversary of 9/11. If ever there was a day for considered reflections on the state of things, this is it. But no. Cartooning deadlines call.

I hope soon to resume more regular posts, but for now let me offer a reprise of my essay called "Two Years, Two Wars, and One Dog Ago." I posted it on my web site on August 9, 2003, as that year’s 9-11 anniversary approached. Sad to say, everything that was ominous about the George W. Bush presidency then has only grown more frightening since — and yet the country gave him four additional years to wreck the nation’s Constitution by re-electing him in 2004.

Maybe. Depending on what really happened with those Ohio voting machines.

In the wake of 9/11, I was numbed by a mixture of grief for the victims and outrage at the whole human race for not having evolved beyond such savagery, I wrote back then. And I was anxious at the thought of what hay our politicians might be poised to make from the tragedy while a jolted citizenry was preoccupied with private fears. What a golden opportunity to use public anger for unsavory ends!

I would be proud of my prescience if a lot of other people had not figured out Bush’s agenda with alarm just as urgent as mine by the time the Decider’s administration was two years along. But America, ever vulnerable to swift-boating manipulation, let the steamroller roll on.

My 2003 essay is too long for a blog post, but if you’d like to see what I wrote in its entirety, just click on this link.

It has taken a compliant and largely conscienceless Republican-led Congress to allow things to go as far as they have already. Will America be any smarter at the polls this November than it was in 2004?

Time will tell.

The Bush-Cheney Bureau of Investigation

Wednesday, March 15th, 2006
The only people who’ve seen this comic strip are Arthur readers. It’s a slightly amended exhumation of a 2004 strip that alluded to the happily departed former Justice Department Supreme-Bible-thumper John Ashcroft.

Unfortunately, Ashcroft’s successor is no better, just slicker, and the Bush Administration is scarier than ever.

Where We’re At

Monday, March 6th, 2006
So we’ve got a President of our United States who has squandered whatever trust that one would like to bestow by default on anyone holding that office and has repeatedly demonstrated that he is incompetent to lead our nation on any kind of sane path.

He is a man of astonishing shallowness who has banished nuance from all public discussions within his control and who is incapable of admitting any error of consequence.

He is in the thrall of a coterie of power-hungry liars whose instinct if not conscious goal is apparently to establish a de facto dictatorship in America while preaching about democracy elsewhere. They are serenely content to spill the blood of innocents around the world while throwing gasoline on the fires of dangerous hatreds.

Our President has, in the process of establishing his "my way or the highway" foreign policy, run roughshod over hard-won treaties forged by statesman with a greater degree of wisdom in their toenails that he is capable of imagining in his most vaulting moments.

Meanwhile, he is in the process of obliterating every humane and forward-looking program here at home and is shameless in his dedication to the unquenchable greed of his friends in the corporate ruling class.

He claims to worship God but kneels more convincingly before an unthinking ideology of tax-cutting that invites all of us to throw future solvency overboard so that his rich friends won’t be asked to sacrifice any of their perks.

He and his Republican predecessors have packed the Supreme Court with judges who show little indication to protect the public from Executive Branch excesses, and both remaining branches of government are controlled by either wealth-obsessed amoralists or ineffective wusses who long ago lost whatever skills one would wish them to have that might enable them to rise to the occasion and effectively fight back.

The President has three more years in office. The voting machines destined to inform us whether we are pleased with the present crop of rulers are trusted by no one who has been paying attention.

God knows what ways the "opposition party" will find to make itself useless in dislodging the current ruling party from its position of reckless control, but it has proven itself to be endlessly inventive in accomplishing that task in the past.

Not to sound bleak or anything, but a fellow can’t help wondering exactly what the American citizenry is supposed to do about this situation.

Crunched Peanuts

Friday, March 3rd, 2006
A correctly proportioned Charlie Brtown image copped from the 1970 book Charlie Brown and Charlie Schulz, (by Lee Mendelson in association with Charles M. Schulz) contemplates his digitally smushed self as published in Wednesday’s edition of the Berkshire Eagle.
Few geometric forms are as imbedded into the psychological DNA of Americans as is the shape of Charlie Brown’s head. Hence my daily bout of annoyance when I open the comics page of our local morning paper, The Berkshire Eagle, and see that the comic strip squeezers have been at it again.

When I was a kid harboring dreams of someday creating a nationally syndicated newspaper strip of my own, I was forewarned by the Famous Artists Cartooning Course (a 24-lesson correspondence course I took while in high school) about the liberties individual newspapers would feel entitled to take with my future comic strip, no matter how well I were to write or draw it.

I was instructed to make certain panels — and even whole tiers of panels — expendable in the case of Sunday strips because editors would want the freedom to chop them up, rearrange the panels, and omit whole sections of the strip to save space. Succinct humor would be impossible; there had to be extraneous padding so that the jokes would still make sense after editorial amputations were completed.

I was told to make sure nothing important to a gag or storyline was placed in the bottom quarter-inch of a daily strip, since that section was routinely shaved off by editors who wanted to squeeze more features onto a page even if it cramped the effectiveness of each individual strip.

Then came the demand from editors for wholesale shrinkage of all syndicated comic strips all the time. No more Mr. Nice Editor. Page space was money.

Expertly drawn strips like Apartment 3G and Li’l Abner had to begin skimping on dynamic action and/or physical comedy. Atmospheric vistas of Manhattan and Dogpatch had to give way to endless close-ups of characters hunching awkwardly downward in their frames so that their expressive eyebrows would remain in view underneath word balloons that hogged more and more pictorial real estate (since you can’t shrink text too much or it will become illegible).

The whole mass diminutivization requirement was grossly insulting to a creatively transcendent art form that in its heyday had spawned timeless classics like Krazy Kat and Little Nemo in Slumberland — strips whose beautifully crafted imagery invited rapt contemplation whether they the pictures were spare or elaborate.

And the disrespect was made even more humiliating by the industry’s requirement that cartoonists cooperate in making the children of their imaginations ever more chop-uppable, rearrangeable, and ready to be mashed tightly into whichever jammed corners of their newspapers could be spared for such frivolous fare

Now of course, everything has been made easier by the digital revolution. Charles M. Schulz needn’t be involved at all in the mutilation of his honored offspring. All that’s required is some art department underling who knows how to mash a masterwork flat with Photoshop.

But maybe this kind of thing doesn’t happen in your local newspaper, just mine.

Talk & Taxes

Sunday, February 19th, 2006
Shall I talk about Eddie’s and my tax preparations? It is what he and I have been working on today. No, maybe not first. First I’ll alert you to yet another online interview with me, me, me!

This time the questions are coming from Ed Mathews, who was invited to talk to me while hanging out at Comicon.com’s throbbing Pulse news division. (Normally Popimage, where "My Hypnotist" has been unfolding all week, is Ed’s turf, but Jennifer Contino offered him some of her Pulse space so he could spead the word about my comic strip to the Pulse constituency. Thanks, Jenn. You’re da bomb!

While I’m citing comics journalists who’ve given me Internet "air time" lately, let me also remind you about Katherine Keller’s interview that was posted back in December at Sequential Tart. I don’t get this much press attention often, folks (must be that subliminal post-hypnotic suggestion I enbedded in all of my advance plugs for "Hypnotist"), so lap it up while it’s available!

Meanwhile, back in the land of the mundane, Eddie and I spent hours this weekend trying to get a head start on tax preparation. We’ll be getting professional help this year because of the state we live in (speaking both geographically and matrimonially).

It’s like this: Eddie and I have to check the "single" box on our federal forms even as we check the "married" box on our Massachusetts forms. Such is the sad, conflicted state of America’s current marriage laws.

Eddie and I had contemplated using TurboTax to do our taxes as I’ve sometimes done individually in the past. But the software designers at Intuit, TurboTax’s parent company, seem not to have figured out that there’s a whole set of couples who will never again fit Uncle Sam’s template unless times change radically.

The reality is simple: in Massachusetts Eddie and I are neither domestic partners nor civilly united nor the recipient of blessings under some unofficial "ceremony of commitment." We are legally married. Period. We’d be as married as George and Laura Bush if George and the Federal Government (and lovable Laura, for all the help she’s offering) weren’t quivering in fear behind the built-in bigotry of 1996’s so-called Defense of Marriage Act, hoping desperately thatall of the gay marriages will just go away before their precious institution is ruined—but not before they can be exploited to win a few more elections for Republicans.

But that’s for them to sort out. Here in Tax Season 2006, Eddie and I find ourselves both legally married and involuntarily unmarried at the same time.

Before spending money on TurboTax I called Intuit’s techie-help line to ask whether they’ve programmed their software to deal with couples like us. Those of you who have used TurboTax know that if the data you enter in your federal form doesn’t match the data you enter in your state form, the software will insist on flinging alert messages at you until you agree to pick one version of reality or the other.

When I explained my concern, the phone techie on the other end of the line (who happened to be a lesbian herself) exclaimed. "Yeah, come to think of it, that sucks!" (Or words to that effect; maybe she wasn’t quite that blunt while on the job.)

I suggested that she relay word through her supervisor to Intuit’s programmers that they should get on the stick about this problem if they don’t want TurboTax to keep losing customers year after year. There are a lot of us married gay folks here in Massachusetts, after all, and this problem is going to keep coming up again and again.

Maybe You Have To Be From Dixie

Thursday, February 16th, 2006
"A midlevel state appeals court on Thursday upheld the state’s marriage law as constitutional," reports Associated Press reporter Mark Johnson today, "handing a defeat to same-sex couples seeking to be married in New York
Ho-hum. What does anybody expect? An heartening cadre of gay-positive straight folks aside, the heterosexual majority is quite comfortable holding fast to its position of privilege and shows little inclination to question its right to be on top of the heap.

"The couples claim state health regulations defining marriage as being only between a man and a woman violate the state Constitution’s equal protection, privacy and due-process provisions," Johnson elaborates.

"In October, Peter Schiff, senior counsel with the state Attorney General’s office, argued before the appellate court that the plaintiffs wanted the courts to rewrite the definition of marriage. He said that job is best handled by the legislative branch of government.

"The court agreed.

"In our opinion, the Legislature is where the changes to marriage" should be addressed, Justice John Lahtinen wrote in the 5-0 decision."

MY COMMENT: And what are the targets of discrimination supposed to do when Legislatures themselves are the guardians of injustice?

Alabama natives like me remember when our state legislators were delighted to deny just treatment to the African-American in Bull Conner Country. Bible-based arguments abounded for why God wanted racial inequality to prevail in perpetuity, and the majority of church-going Southerners could be counted upon to support lawmakers who stuck to their guns on this point.

It took unelected judges who were insulated from voter reprisals to face squarely the fact that longstanding Southern traditions were a gross affront to America’s constitutional promise that all its citizens would be treated equally under the law. For me such "judicial activism" was inspiring during my youth. It gave the Bill of Rights real force; they were not a mere collection of platitudes on parchment.

As the right-wing packing of present-day courts proceeds apace and the ability of incensed majorities to elbow aside the aspirations of minorities resumes its standing as the norm, opportunities to be inspired by America’s promises are few and far between.

Maybe it takes personal memories of watching elected legislators running amok in the thrall of bigotry-based "traditions" for Joe Public to grasp the full chilliness of news like today’s.